Staging creolization: women's theater and performance from the French Caribbean

Introduction

Unsettling the gendered stereotypes of plantation culture : Ina Césaire's Rosanie Soleil and Maryse Condé's Pension les Alizés

Remixing unity and difference : Maryse Condé's An tan revolisyon, Ina Césaire's Mémoires d'Isles, and Gerty Dambury's Lettres indiennes

Syncretizing performance and moral codes : Ina Césaire's L'Enfant des passages and Simone Schwarz-Bart's Ton beau capitaine

Diaspora performances at Ubu Repertory Theater in New York

Recasting the Francophone Caribbean couple at Ubu Repertory Theater

Coda : creolizing knowledge in U.S. university performances.