"The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues
Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences
Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond
Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom
"The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʼid and the populist songs
"The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice"
Umm Kulthūm and a new generation. The national songs and "Rābiʻa ʼl-ʻAdawiyya" ; "A new stage" ; Collaboration with ʻAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung
