García Lorca at the edge of surrealism: the aesthetics of anguish

Note on translations

Introduction: foundations for a dissident surrealism

Spanish surrealism's absent father: sub-realism from Juan Larrea to Federico García Lorca

Burning in the void: an aesthetics of informe in Lorca's New York

Truth, mutation, and the closure of representation: sovereign identity in Lorca's Retablillo and El público

Rotten roses and other botanical bereavements: vanguardist floral (dis)arrangements and Lorca's Doña Rosita

Lorca and Bataille beyond surrealism: Sonetos del amor oscuro and the erotic imperative

Conclusion: an ethics of informe.